Undoing the Linear“ uses space as an independent parameter for composed soundscapes and choreographed actions. The performance focuses on noise, sound and ambient resonance. Soundscapes are generated through the performer via manipulated acoustic feedback, body movement and ambient resonance. The metric pace of the protagonist defines performative layout. As the central instrument the wheeled concert piano connects memory and expectation in reference to John Cage’s legendary composition 4’33”.
Thanks to Julia and David Regehr

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